Ceramics Art + Perception sets the international standard for high quality journals dedicated to ceramic art. With a total of 120 pages, each issue contains approximately 25 substantive reviews, essays and features, covering a broad range of issues related to the field. The magazine is printed in full-colour with high-res images supporting each text. Ceramics Art + Perception continues to deliver you the best critical writing from around the world since 1991.
Ceramics: Art and Perception
The Prime of Ms Ebony Russell
The Devil’s Interval: Tom Bartel and his Sculpture
Marie Herwald Hermann at Broadway Gallery, New York
Robert Brady: in Retrospect
The 2024 Portage Ceramics Awards
Build Me Up, Tear Me Down, Why Don’t You Love Me Babe Like There’s No One Around? • MoNA Ceramic Invitational 2025 Museum of Northwest Art, La Conner, Washington USA January 25 – May 11, 2025
Exploring collective memory through clay dwellings: Somewhere in between and not represented
John Gill at Yossi Milo Gallery, New York
The Space Between
From Posen to Poznań: The Rise and Fall and Rise of Ceramics in Poland
The Artistic Representation of the Oppression in Palestine Through Ceramic Works
Swansong: Hiroe Swen’s farewell to ceramics
O’ Powa O’ Meng: The Art and Legacy of Jody Folwell • The Fralin Museum of Art at the University of Virginia 22 Feb – 15 June, 2025
A Native American Influencer
MOCA-NY: The Metamorphosis of a Museum
The Final Kiln: CPEC Opportunities in Fashion are Pulling Kashi Artisans Away from Ceramics
Jaeyoun’s Recent Works: Ugly Mr./Mrs. K
Art and the Sense of Touch
Ceramic Public Art: in Empathy
Coleton Lunt Living Ceramics: Uniting Utility and Sculpture
Keith Schneider’s Ceramic Figures (How Toys Become Real)
Gender, Voice, and Identity: Mediterranean Women Artists
The Courage to Move: Pinar Baklan
Bagwall Goblins Detritus and Clay
Ceramics Technical
Q&A: Glaze Bubbles
Request From a Friend • “Working with clay will humble and excite you all in the same kiln load.”
Animal Biodiversity: Three Little Teapots
Controlled Cracking
Q&A: Dull Glaze Colors