Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

Ceramics: Art and Perception

No. 115
Magazine

Ceramics: Art and Perception aims to set the international standard as a high quality journal dedicated to ceramic art. With a total of 120 pages, it contains approximately 25 substantial reviews, articles and regular features on a broad range of ceramics related subjects with excellent colour photographs throughout.

Ceramics: Art & Perception

Claire Partington: Tea and Post-colonial Retribution

Joon Hee Kim: Who Am I?

The Twelve Immortals of Flowers in Chinese Ceramics

Work, Beauty, and the Human Spirit: The Legacy of Brother Thomas Bezanson • THIS ARTICLE HAS BEEN ADAPTED FROM A TALK GIVEN AT MASSACHUSETTS COLLEGE OF ART, OCTOBER 4, 2019.

Ian Morrison

Blanc de Chine A Continuing Conversation

What Makes a Potter: Functional Pottery in America Today by Janet Koplos

Rooted in the Gut: Chris Gustin's Eloquent Vessels

Eva Kwong: Love Between the Atoms / Lifelines

Ron Nagle: Getting to No at Matthew Marks Gallery, New York

A Kiln of One's Own: The Work of Kathy Kranias

Takeshi Yasuda: Working in China

Dead Dad Book

A Magic Spell or a Ceramic Bowl? • The Sassanid Crescent of Islamic and Changsha Ceramics

Peter Beasecker: Clarity

Thirteen Ways of Looking at FIRE

Material Traces of Past Performances: Reclaiming Authenticity in Contemporary Studio Pottery

Ceramic Art: The Kashi tiles of Sindh

Q & A: Glaze Pinholes

Rong Jiang's Floriated Zisha Teapots

Traditional Techniques and Culture of Chinese Rongchang Pottery


Expand title description text
Frequency: Twice per year Pages: 156 Publisher: Mansfield Ceramics Pty Ltd Edition: No. 115

OverDrive Magazine

  • Release date: April 7, 2020

Formats

OverDrive Magazine

subjects

Crafts

Languages

English

Ceramics: Art and Perception aims to set the international standard as a high quality journal dedicated to ceramic art. With a total of 120 pages, it contains approximately 25 substantial reviews, articles and regular features on a broad range of ceramics related subjects with excellent colour photographs throughout.

Ceramics: Art & Perception

Claire Partington: Tea and Post-colonial Retribution

Joon Hee Kim: Who Am I?

The Twelve Immortals of Flowers in Chinese Ceramics

Work, Beauty, and the Human Spirit: The Legacy of Brother Thomas Bezanson • THIS ARTICLE HAS BEEN ADAPTED FROM A TALK GIVEN AT MASSACHUSETTS COLLEGE OF ART, OCTOBER 4, 2019.

Ian Morrison

Blanc de Chine A Continuing Conversation

What Makes a Potter: Functional Pottery in America Today by Janet Koplos

Rooted in the Gut: Chris Gustin's Eloquent Vessels

Eva Kwong: Love Between the Atoms / Lifelines

Ron Nagle: Getting to No at Matthew Marks Gallery, New York

A Kiln of One's Own: The Work of Kathy Kranias

Takeshi Yasuda: Working in China

Dead Dad Book

A Magic Spell or a Ceramic Bowl? • The Sassanid Crescent of Islamic and Changsha Ceramics

Peter Beasecker: Clarity

Thirteen Ways of Looking at FIRE

Material Traces of Past Performances: Reclaiming Authenticity in Contemporary Studio Pottery

Ceramic Art: The Kashi tiles of Sindh

Q & A: Glaze Pinholes

Rong Jiang's Floriated Zisha Teapots

Traditional Techniques and Culture of Chinese Rongchang Pottery


Expand title description text