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Our Deep Gossip

Conversations with Gay Writers on Poetry and Desire

ebook
1 of 1 copy available
1 of 1 copy available
From Walt Whitman forward, a century and a half of radical experimentation and bold speech by gay and lesbian poets has deeply influenced the American poetic voice. In Our Deep Gossip, Christopher Hennessy interviews eight gay men who are celebrated American poets and writers: Edward Field, John Ashbery, Richard Howard, Aaron Shurin, Dennis Cooper, Cyrus Cassells, Wayne Koestenbaum, and Kazim Ali. The interviews showcase the complex ways art and life intertwine, as the poets speak about their early lives, the friends and communities that shaped their work, the histories of gay writers before them, how sex and desire connect with artistic production, what coming out means to a writer, and much more. While the conversations here cover almost every conceivable topic of interest to readers of poetry and poets themselves, the book is an especially important, poignant, far-reaching, and enduring document of what it means to be a gay artist in twentieth- and early twenty-first-century America.
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    • Publisher's Weekly

      November 25, 2013
      Interviewing eight contemporary gay male writers, this collection teases out the attachments between personal life and art-making practices in the dynamic world of queer poetry. Hennessy (Outside the Lines: Talking with Contemporary Gay Poets) is of equal measure an astute, studied academic and an enthusiastic fan of the collected writers. His intellect becomes a clever through line, adding cohesion to the diverse voices and philosophies of Edward Field, John Ashbery, Richard Howard, Aaron Shurin, Dennis Cooper, Cyrus Cassels, Wayne Koestenbaum, and Kazim Ali. While those who aren't already fans of these poets might find their interest lagging from time to time, there are enough singular and surprising moments to earn back the reader's attentionâthat incredibly rare occasion of hearing John Ashbery discuss the link between his sexuality and his writing style, for instance, or Wayne Koestenbaum's declaration that writing a particular poem felt like "diving into the wreck, but the drowned vessel was my father's anus." These moments are the strength of the text, allowing insight into the poet's work that evades the dry tedium of much criticism and is instead untethered through the free flow of conversation, favoring further questions rather than reductive answers. In short, Hennessy gives the poets generous space to speak, and in this space the book succeeds. B&w illus.

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  • English

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