THE ONLY NATIONAL MAGAZINE THAT PROVIDES COMPREHENSIVE COVERAGE OF THE WORLD OF THEATRE BOTH IN THE U.S. AND ABROAD. INCLUDES 5 COMPLETE PLAYSCRIPTS EACH YEAR, ARTIST PROFILES, AND MUCH MORE. TWO SPECIAL ISSUES PUBLISHED EACH YEAR "THEATRE TRAINING" (JANUARY) AND "SEASON PREVIEW" (OCTOBER).
EDITOR’S NOTE
CONTRIBUTORS
LETTERS
Thank You for Sharing
Back to the Bay
ALMANAC
AWARDS & PRIZES
ROLE CALL • PEOPLE TO WATCH
Best Practices
FIND THE RIGHT LEADER
BUILD AND MAINTAIN THE BOARD
READ PLAYS RIGHT
CAST WITH DIVERSE APPROACHES
ACT ON ACCESSIBILITY
PLAY FAIR ON PAY
ROLL OUT THE WELCOME WAGON
TAKE THE HELL OUT OF HELL WEEK
MAKE THEATRE, NOT WASTE
MARKET TO NEW AUDIENCES
REMOVE BOX-OFFICE BARRIERS
SERVE YOUR AUDIENCE
PREVENT FIRST-DEGREE BURNOUT
TRAIN FOR A DIVERSE THEATRE
Solid Footing • U.S. theatres strive to maintain and build on the period of relative stability reflected in TCG’s Theatre Facts 2017
Intimate Exchanges • Sex scenes require as much careful choreography as fights or dances, especially in the #MeToo era
Pack and Play • Theatre artists with kids may struggle to find a livable balance, but increasingly they’re not struggling alone
Egypt’s Theatre Rebels • Facing censorship and worse in post-revolution Cairo, theatremakers resist and persist
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TCG ON THE WEB
Theatre Communications Group
OFFSTAGE • This month stage and screen veteran STOCKARD CHANNING (Six Degrees of Separation, Grease reprises a role in Alexi Kaye Campbell’s Apologia at Roundabout Theatre Company (through Dec. 16), after starring in the play last year in London as the mother of two sons. This time they’re both played by Hugh Dancy.
