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The Chicago Way

ebook
4 of 4 copies available
4 of 4 copies available
Private detective Michael Kelly is hired by his former partner to solve an eight-year old rape and battery case long gone cold. But when the partner turns up dead, Kelly enlists a team of his savviest colleagues to connect the dots between the recent murder and the cold case it revived: a television reporter whose relationship with Kelly is not strictly professional; his best friend from childhood, a forensic DNA expert; and an old ally from the DA's office. To close the case, Kelly will have to face the mob, a serial killer, his own double-crossing friends, and the mean streets of the city he loves.
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    • Publisher's Weekly

      Starred review from June 25, 2007
      Harvey's debut delivers a fast-paced thrill ride through Chicago's seedy underbelly, where the lines between cops and criminals become dangerously blurred. When his old partner asks for help with an old rape case, Michael Kelly, former Chicago detective turned PI, finds himself in the middle of a massive coverup with links to a notorious serial killer on death row. With the help of his childhood friend, DNA analyst Nicole Andrews, feisty and sexy TV reporter Diane Lindsay and a handful of cops he hopes he can trust, Kelly must solve the original rape case while staying alive as the men who killed to keep a secret set their sights on him. Harvey, the cocreator and executive producer of A&E's Cold Case Files
      , spins a twisted story that masterfully combines the sardonic wit of Chandler with the gritty violence of Lehane's Kenzie and Gennaro series. Bringing Chicago to life so skillfully that the reader can almost hear the El train in the distance, Harvey is poised to take the crime-writing world by storm.

    • Library Journal

      August 1, 2007
      The latest incarnation of Raymond Chandler's Philip Marlowe is ex-Chicago cop Michael Kelly, who narrates his tale in crisp staccato prose. Kelly is drawn into an eight-year-old rape case after his former partner is found dead on Navy Pier. The rape victim becomes Kelly's latest client, a woman whose story intrigues a DNA analyst and a TV anchorwoman. Kelly's investigation soon takes him into deep, dangerous waters, with connections to the mob, a cover-up, and a serial killer. Debut author Harvey borrows elements from Chandler and Robert B. Parker's Spenser to create an appealing, crusading sleuth. Despite a certain lack of originality in the serial killer, who resembles notorious murderer John Wayne Gacy, this is recommended for all public libraries. Harvey is the cocreator of television's "Cold Case Files", and that may add patron appeal.Lesa M. Holstine, Glendale P.L., AZ

      Copyright 2007 Library Journal, LLC Used with permission.

    • Booklist

      August 1, 2007
      The opening pages are packed with the kind of wry, dry narration that goes down as smoothly as a pulp paperback with a shot of rye. But the case that walks in through Chicago PI Michael Kellys door is no laughing matter: find a brutal rapist who walked out of jail nine years ago. Harvey is a cocreator of A&Es Cold Case Files, and his plot reflects a true-crime sensibility. As Kellys investigation uncovers a growing body count, DNA evidence, antirape activists, and a John Wayne Gacylike serial killer all come into play. But as much as we enjoy a mix of vintage prose and contemporary settings, wisecracking banter is the wrong tone for a topic like rape. The prose sobers up somewhat as the tale goes on, but Harvey never gets the blend quite right. Its a twisty page-turner (and Chicagoanswill enjoy seeing the Lincoln Park and Wrigleyville neighborhoods cast as mean streets), but if Harvey had chosen either a lighter plot or darker prose, the book could have been much better.(Reprinted with permission of Booklist, copyright 2007, American Library Association.)

    • Publisher's Weekly

      September 24, 2007
      Writer and TV producer Harvey's debut novel, in which Chicago PI Michael Kelley seeks the solution to an eight-year-old rape and battery case, is so old-school hard-boiled it should have “caper” in the title. The first-person narrative comes complete with such standard ingredients as a murdered former partner, several sultry babes, mobsters, tough cops and characters from high society as well as low. The last thing this moderately engrossing example of Raymond Chandler lite needs is a reader determined to call attention to its weaknesses. Unfortunately, Stephen Hoye's idea of noir coolspeak is an exaggerated emphasis on certain key words in a sentence (“Three questions buzzed
      through the early morning fog
      I call my brain
      ....”). The result is an annoying singsong that pushes the tough prose into parody and, in the case of Hoye's absurdly breathy, insinuating female voices, beyond. Simultaneous release with the Knopf hardcover (Reviews, June 25).

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  • English

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