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The Art of Acquiring

A Portrait of Etta and Claribel Cone

ebook
1 of 1 copy available
1 of 1 copy available

For four and a half decades, Etta and Claribel Cone roamed artists' studios and art galleries in Europe, building one of the largest, most important art collections in the world. At one time, these two independently wealthy Jewish women from Baltimore received offers from virtually every prominent art museum in the world, all anxious to house their hitherto private assemblage of modern art. In 1949, they awarded all their holdings to the Baltimore Museum of Art. In 2002, that collection was valued at nearly $1 billion, making them two of the most philanthropic art collectors of our age.

Yet, for complex reasons, the story of the Cone sisters has never been fully or accurately told.

Mary Gabriel, an art-minded journalist and women's historian, has, at long last, brought the little-known sisters to life, and shone the spotlight on their remarkable achievements.

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    • Publisher's Weekly

      June 28, 1999
      Art history traditionally concerns itself with the lives and creative processes of artists. But here Gabriel (Notorious Victoria: The Rise and Fall of Victoria Woodhull) focuses on "the barely recognized link" between modernist masters such as C zanne, Degas, Picasso and Matisse, and the largely forgotten art collectors Etta and Claribel Cone, wealthy--and stolidly Victorian--Baltimore sisters who, starting around the turn of the century, devoted their lives to amassing one of the largest and most remarkable collections of modern art in the world. Although neither Claribel, a sternly imposing physician, nor her retiring and unassuming sibling, seemed likely patrons of modernism, Etta secured the lifelong friendship of Matisse and Picasso while they still languished in poverty and obscurity. Frequently among the first to "discover" the artists who made history, the Cones are nevertheless usually portrayed as provincial spinsters who relied on family friends Gertrude and Leo Stein for guidance. Gabriel ably demonstrates that conventional wisdom has robbed the Cone sisters of credit for their own lively and often iconoclastic aesthetic sensibilities. By inviting us to view early 20th-century painting through the Cones' eyes and by adeptly weaving the threads of their life stories into the larger fabric of the social and artistic history of their time, Gabriel complicates our understanding of the inner lives of these outwardly conventional women and of the relationship between art and its audience. Photos not seen by PW.

    • Library Journal

      May 15, 1999
      Heiresses to a family fortune, Etta and Claribel Cone, Jewish sisters from Baltimore, amassed a major collection of modern French artworks. Their Victorian demeanor and dress belied two free-spirited eccentrics whose bold purchases of avant-garde, sometimes erotic art shocked early 20th-century society. They bought what pleased them, jamming their Baltimore apartments with paintings by Matisse, Picasso, C zanne, D gas, Van Gogh, Manet, Redon, Pissarro, and others. Reuters reporter Gabriel (Notorious Victoria, LJ 11/15/97) has given life to these obscure sisters in a captivating biography that covers Gertrude Stein's influence, tireless European travels to artists' studios and galleries, and, most notably, the interdependence of collectors and artists. Sought after by leading museum directors, their collection, described in Brenda Richardson's Dr. Claribel and Miss Etta (1985), was bequeathed to the Baltimore Museum of Art. Highly recommended.--Joan Levin, MLS, Chicago

      Copyright 1999 Library Journal, LLC Used with permission.

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