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Mostly White

ebook
1 of 1 copy available
1 of 1 copy available
"So compelling it gave me goosebumps from the very first pages."
—ISABEL ALLENDE
A family saga: four generations of mixed–race African American, Native American, and Irish women experience intergenerational trauma as well as the healing brought by nature and music, leading to triumphant resilience.
Mostly White begins in 1890 when Emma, a mixed–race Native American and African American girl, is beaten by nuns and confined in a closet for speaking her language at an Indian Residential school in Maine. From there, a tale that spans four generations of women unfolds. Emma's descendants suffer the effects of trauma, poverty, and abuse while fighting to form their own identities and honor the call of their ancestors.
ALISON HART studied theater at New York University and later found her voice as a writer. She identifies herself as a mixed–race African American, Passamaquoddy Native American, Irish, Scottish, and English woman of color. Her poetry collection Temp Words was published by Cosmo Press in 2015, and her poems appear in Red Indian Road West: Native American Poetry from California (Scarlet Tanager Books, 2016) and elsewhere. Hart lives in Alameda, California.
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    • Booklist

      November 1, 2018
      ?Blood ties spanning almost a century connect Emma, an Indian Residential School runaway, to her great-granddaughter, Ella, a struggling actor. In 1890 Maine, Emma?born to a Passamaquoddy Native father and an African American mother, is violently uprooted and trapped in a tortuous school for Native Americans. Beaten, humiliated, raped, 11-year-old Emma escapes and is saved by an Irish bootlegger whom she eventually marries. Alcohol provides the family a meager living, even as it destroys their lives. Emma's oldest daughter, Deliah, abandons a promising singing career for an insistent lothario. Their daughter, Margaret, finally breaks the poverty cycle, but not without immeasurable personal cost. By 1986, Margaret's eldest, Ella, is in Manhattan, chasing her celluloid dreams, but brutal racism remains her greatest obstacle. Poet Hart's debut novel impresses with content rather than style (her prose tends toward stilted, even wooden). Identifying herself as African American, Passamaquoddy Native American, Irish, Scottish, and English, Hart draws on autobiographical details, turning her truth to fiction. Her chorus of women abused institutionally, culturally, and historically is daunting, but their resilience should ultimately prove affecting.(Reprinted with permission of Booklist, copyright 2018, American Library Association.)

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  • English

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