本文探討馬丹陽天星十二穴的各種議題，包括，該作品是否真正出自馬丹陽之手；歌中不傳非人的思想；並藉由比較天星十二穴歌的版本差異、考究中國文字的起源，發現「擔」很可能就是「單」的誤傳，「截」很可能就是「接」的口誤。而且由內文本身中發現「擔」、「截」不應表示「補」、「瀉」。
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