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October 17, 2022
Winnette (The Job of the Wasp) delivers an engaging story of a virtual reality designer stuck in a rut. Miles’s career founders as he casts about for a new product for his Chicago startup that rivals his signature augmented reality experience, “The Ghost Lover,” where virtual reality players are haunted by an ephemeral lover personalized to their own experience. Meanwhile, his home life presents its own challenges; his marriage is struggling, and his 10-year-old daughter plays increasingly violent games with her younger sister. Perhaps most troubling, Miles acquires a “ghost lover” of his own, and he’s receiving cryptic, anonymous death threats. The author convincingly portrays Miles’s claustrophobic interior, where the protagonist is held captive by virtual simulacra. After a vacation with his family rekindles Miles’s creativity, he plunges full speed into the creation of the “Egg,” a virtual-reality pod that encases the user’s body. Though a commercial and professional success, the Egg accelerates the dissolution of Miles’s family, and brings him ever closer to the source of his elusive threats. Despite a rushed final act, the author offers a vertiginous glimpse down a tech rabbit hole. In Winnette’s hands, the dangerous blur between the virtual and reality provides both a warning and a thrill. Agent: Kevin O’Connor, O’Connor Literary Agency.

January 1, 2023
The inventor of a cutting-edge VR project descends into a state of profound alienation. Winnette's recent novels have ventured into the realm of surreal Westerns (Haints Stay, 2015) and unsettling ghost stories (The Job of the Wasp, 2018). With this new novel, he's opted for a different route, following the life of Miles, a man working for a virtual reality company who has been receiving death threats. There are clues early on that Miles is not the greatest of co-workers--an early passage describes him manipulating his colleague Lily's schedule so she's working on his brainchild, an "experience" called The Ghost Lover, instead of her own ambitious project. His penchant for working late hours is but one manifestation of his profound alienation from life, which Winnette also evokes by barely using the proper names of Miles' wife and children. Winnette links this anomie to larger questions of technology and corporatization; later on, Winnette shares details of Miles' previous job, when he'd worked on an acclaimed television series that gradually compromised its aesthetic until it lost its audience. In the novel's second half, the VR company Miles and Lily work for has embraced an idea that the two of them proposed--an expanded virtual reality presence that utilizes a device called the Egg. Gradually, Miles' waking life, dreams, and VR experiences begin to blur together--eventually arriving at a shocking image that both reframes Miles' alienation and sets him spiraling even further. The sense of menace that Winnette establishes early on with the death threats continues to evolve over the course of the novel--eventually arriving at a haunted, haunting place. A disquieting cautionary tale for an age of virtual spaces.

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