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Ceramics: Art and Perception

No. 120
Magazine

Ceramics Art + Perception sets the international standard for high quality journals dedicated to ceramic art. With a total of 120 pages, each issue contains approximately 25 substantive reviews, essays and features, covering a broad range of issues related to the field. The magazine is printed in full-colour with high-res images supporting each text. Ceramics Art + Perception continues to deliver you the best critical writing from around the world since 1991.

Fire your creativity

Ceramics: Art and Perception

Akiko Hirai

Rick Hintze: Born of the Soil at Guild Gallery, New York City

Linda Sormin: at the Edge of Capacity

Remembering Lucie

Goldmark at 50

Five Fabulous Femmes. Six in Total

Artist’s Inner Expression in the Form of Public Art

Yeo Byonguk’s Vessels: from Silence to Being

Form as Embodied Place: The Pottery of Willi Singleton

The epistemology of throwing

British Ceramics Biennial AWARD 2023

Our Pottery Story

Nostalgia, Desire, Wonder: The Work of Jason Bige Burnett

Kathy Butterly at James Cohan Gallery, New York City

Walter Keeler: Shards of Life • In conversation after his solo show at Llantarnam Grange, Cymru

Corresponding with landscape: my journey during the Aberystwyth Artistic Residency

Strange Clay: Ceramics in Contemporary Art • Hayward Gallery, London 26 October 22 - 8 January 23

Typography in Contemporary Turkish Ceramic Art

Why the Depiction of Children on Ceramics was important during The Qing Dynasty (1636-1912)

Meissen Artisan Series: An analysis of the ‘Potter’ Figure

Finding the Key

Gay Smith: Animating the Clay

Degradation (and Mechanism) of Kanthal APM Heating Elements through Electric Kiln Firing

Q&A: Heat Transfer

Q&A: Wedging Table

Q&A: Glaze Additives


Expand title description text
Frequency: Twice per year Pages: 156 Publisher: Mansfield Ceramics Pty Ltd Edition: No. 120

OverDrive Magazine

  • Release date: May 12, 2023

Formats

OverDrive Magazine

subjects

Crafts

Languages

English

Ceramics Art + Perception sets the international standard for high quality journals dedicated to ceramic art. With a total of 120 pages, each issue contains approximately 25 substantive reviews, essays and features, covering a broad range of issues related to the field. The magazine is printed in full-colour with high-res images supporting each text. Ceramics Art + Perception continues to deliver you the best critical writing from around the world since 1991.

Fire your creativity

Ceramics: Art and Perception

Akiko Hirai

Rick Hintze: Born of the Soil at Guild Gallery, New York City

Linda Sormin: at the Edge of Capacity

Remembering Lucie

Goldmark at 50

Five Fabulous Femmes. Six in Total

Artist’s Inner Expression in the Form of Public Art

Yeo Byonguk’s Vessels: from Silence to Being

Form as Embodied Place: The Pottery of Willi Singleton

The epistemology of throwing

British Ceramics Biennial AWARD 2023

Our Pottery Story

Nostalgia, Desire, Wonder: The Work of Jason Bige Burnett

Kathy Butterly at James Cohan Gallery, New York City

Walter Keeler: Shards of Life • In conversation after his solo show at Llantarnam Grange, Cymru

Corresponding with landscape: my journey during the Aberystwyth Artistic Residency

Strange Clay: Ceramics in Contemporary Art • Hayward Gallery, London 26 October 22 - 8 January 23

Typography in Contemporary Turkish Ceramic Art

Why the Depiction of Children on Ceramics was important during The Qing Dynasty (1636-1912)

Meissen Artisan Series: An analysis of the ‘Potter’ Figure

Finding the Key

Gay Smith: Animating the Clay

Degradation (and Mechanism) of Kanthal APM Heating Elements through Electric Kiln Firing

Q&A: Heat Transfer

Q&A: Wedging Table

Q&A: Glaze Additives


Expand title description text