Ceramics Art + Perception sets the international standard for high quality journals dedicated to ceramic art. With a total of 120 pages, each issue contains approximately 25 substantive reviews, essays and features, covering a broad range of issues related to the field. The magazine is printed in full-colour with high-res images supporting each text. Ceramics Art + Perception continues to deliver you the best critical writing from around the world since 1991.
Fire your creativity
Ceramics: Art and Perception
Akiko Hirai
Rick Hintze: Born of the Soil at Guild Gallery, New York City
Linda Sormin: at the Edge of Capacity
Remembering Lucie
Goldmark at 50
Five Fabulous Femmes. Six in Total
Artist’s Inner Expression in the Form of Public Art
Yeo Byonguk’s Vessels: from Silence to Being
Form as Embodied Place: The Pottery of Willi Singleton
The epistemology of throwing
British Ceramics Biennial AWARD 2023
Our Pottery Story
Nostalgia, Desire, Wonder: The Work of Jason Bige Burnett
Kathy Butterly at James Cohan Gallery, New York City
Walter Keeler: Shards of Life • In conversation after his solo show at Llantarnam Grange, Cymru
Corresponding with landscape: my journey during the Aberystwyth Artistic Residency
Strange Clay: Ceramics in Contemporary Art • Hayward Gallery, London 26 October 22 - 8 January 23
Typography in Contemporary Turkish Ceramic Art
Why the Depiction of Children on Ceramics was important during The Qing Dynasty (1636-1912)
Meissen Artisan Series: An analysis of the ‘Potter’ Figure
Finding the Key
Gay Smith: Animating the Clay
Degradation (and Mechanism) of Kanthal APM Heating Elements through Electric Kiln Firing
Q&A: Heat Transfer
Q&A: Wedging Table
Q&A: Glaze Additives