Ceramics: Art and Perception

Ceramics Art + Perception sets the international standard for high quality journals dedicated to ceramic art. With a total of 120 pages, each issue contains approximately 25 substantive reviews, essays and features, covering a broad range of issues related to the field. The magazine is printed in full-colour with high-res images supporting each text. Ceramics Art + Perception continues to deliver you the best critical writing from around the world since 1991.

Ceramics: Art and Perception

The Prime of Ms Ebony Russell

The Devil’s Interval: Tom Bartel and his Sculpture

Marie Herwald Hermann at Broadway Gallery, New York

Robert Brady: in Retrospect

The 2024 Portage Ceramics Awards

Build Me Up, Tear Me Down, Why Don’t You Love Me Babe Like There’s No One Around? • MoNA Ceramic Invitational 2025 Museum of Northwest Art, La Conner, Washington USA January 25 – May 11, 2025

Exploring collective memory through clay dwellings: Somewhere in between and not represented

John Gill at Yossi Milo Gallery, New York

The Space Between

From Posen to Poznań: The Rise and Fall and Rise of Ceramics in Poland

The Artistic Representation of the Oppression in Palestine Through Ceramic Works

Swansong: Hiroe Swen’s farewell to ceramics

O’ Powa O’ Meng: The Art and Legacy of Jody Folwell • The Fralin Museum of Art at the University of Virginia 22 Feb – 15 June, 2025

A Native American Influencer

MOCA-NY: The Metamorphosis of a Museum

The Final Kiln: CPEC Opportunities in Fashion are Pulling Kashi Artisans Away from Ceramics

Jaeyoun’s Recent Works: Ugly Mr./Mrs. K

Art and the Sense of Touch

Ceramic Public Art: in Empathy

Coleton Lunt Living Ceramics: Uniting Utility and Sculpture

Keith Schneider’s Ceramic Figures (How Toys Become Real)

Gender, Voice, and Identity: Mediterranean Women Artists

The Courage to Move: Pinar Baklan

Bagwall Goblins Detritus and Clay

Ceramics Technical

Q&A: Glaze Bubbles

Request From a Friend • “Working with clay will humble and excite you all in the same kiln load.”

Animal Biodiversity: Three Little Teapots

Controlled Cracking

Q&A: Dull Glaze Colors