No. 122
No. 121
No. 120
No. 119
No. 118
No. 117
No. 116
Ceramics Art + Perception sets the international standard for high quality journals dedicated to ceramic art. With a total of 120 pages, each issue contains approximately 25 substantive reviews, essays and features, covering a broad range of issues related to the field. The magazine is printed in full-colour with high-res images supporting each text. Ceramics Art + Perception continues to deliver you the best critical writing from around the world since 1991.
The read you knead
Ceramics: Art and Perception
A Censored Future for Art in Latvia: Better Luck Next Time
Getting There
Thick as Mud • Henry Art Gallery University of Washington, Seattle February 04, 2023 — May 07, 2023
Feminism, Gender Identity and Art
Larger than Life, the life of Tony Natsoulas: So Far
Funk You Too! • Humor and Irreverence in Ceramic Sculpture at the Museum of Arts & Design
Shio Kusaka at David Zwirner Gallery, New York City
Temporality & Time With Clay
Daum Museum of Contemporary Art • Coalescence: Exploring Contemporary Ceramics and Artist Communities. 26 January to 20 April 2023
Remember Poole Pottery?
Puerto Rico’s La Piedra Escrita: A “Re-Inspiration in Clay”
A Dialog: Daniel Pontoreau and Materiality
Ann Agee At PPOW, New York City
Painted Clay: Wada Morihiro & Modern Ceramics of Japan
The British Tradition of Tea Drinking from Ceramic Cups
Mary McKenzie A Malleable Radiance
Self-Taught and Successful: Ömür Tokgöz
Gathering the Nimbus
Embodied Experience: From Riding to Making
Realism and Eloquence in Reuben Ugbine’s Ceramic Sculpture
Zoroastrian Humanism and its relationship with Seljuk Ceramics
The Ceramics of Shäki, Azerbaijan
Ceramics Technical
Mimicking Nature Experimental Clay Forms in Ephemeral Site-Specific Installations
Q&A: Glaze Crawling
Q&A: Blue Specking in a Glaze • The blue specking in the blue glaze is caused by the larger particle size of cobalt oxide. When substituting cobalt carbonate for cobalt oxide use 1½ times more cobalt carbonate.
Q&A: Spodumene • Potters represent less than 1/10 of 1% of the raw materials market and do not dictate when or if a material will become unavailable.
Ceramic Design with Artificial Intelligence
