Ceramics: Art and Perception

Ceramics Art + Perception sets the international standard for high quality journals dedicated to ceramic art. With a total of 120 pages, each issue contains approximately 25 substantive reviews, essays and features, covering a broad range of issues related to the field. The magazine is printed in full-colour with high-res images supporting each text. Ceramics Art + Perception continues to deliver you the best critical writing from around the world since 1991.

From earth to evocation

Ceramics: Art and Perception

To live is to Leave Traces: Anne Mette Hjortshøj

The Porcelain of Capodimonte

Courting Indigo

Brick by Brick: A Brief History of Clay Bricks from Kansas, USA

Jane Yang-D’Haene at Bienvenu Steinberg & J, New York City

Marea Gazzard: Utopia Art Sydney

Collage, Montage, and Perception: Unveiling Postcolonial Aesthetics of the Female Body in Printed Ceramics

Interrogating the African Electoral System: A Narrative in Conceptual Ceramics

Clay Houses

Fresh New Talent at the British Ceramics Biennial

Playing with Fire CLAY Museum of Ceramic Art Denmark

Both artists are writers as well as ceramists and they equally reflect on the meaning of clay, words, making and breaking.

Wang Xianfeng: Innovating Jun Ware

Listening to Clay: Conversations with Contemporary Japanese Ceramic Artists

A Journey Painted in Clay: A Book in the Making

Early Porcelain Making in Victoria, Australia

Eiji Uematsu at Alison Bradley Projects, New York City

Saggar Firing in an Electric Kiln

The Ceramics of Nsentip Udom

Toshiko Takaezu: Shaping Abstraction • Museum of Fine Arts, Boston September 30, 2023 – September 29, 2024

Redefining Beauty: The Art and Ethos of Fractured Ceramics

How Illustrations on Porcelain Helped Raise Children in Ancient China

My Grandfather’s Marbles

The Non-dualistic Beauty of Hun Chung Lee

Romancing the Stone

Ceramics Technical

Q&A: Coasting Cones

Q&A: Mold Growth in Clay • Any moist clay is capable of growing different types of mold depending on several conditions such as moisture, temperature, and its organic content. Essentially, when moist clay is stored in a semi porous plastic bag an ecosystem is developing. Mold starts on the clay surface and proceeds into the interior.

Bone China: Revisited and Reformulated

The Utilization of Rare Earth Elements as Colorants in Transparent Ceramic Glazes as an Innovative Approach