Ceramics: Art and Perception

Ceramics: Art and Perception aims to set the international standard as a high quality journal dedicated to ceramic art. With a total of 120 pages, it contains approximately 25 substantial reviews, articles and regular features on a broad range of ceramics related subjects with excellent colour photographs throughout.

Ceramics: Art & Perception

Seeking Sustainability

Heidi Bjørgan

Roberta Griffith: Street Stuff

Contemporary Exploration of Ceramics in Nigeria: Ngozi Omeje’s Connecting Deep Exhibition at the Centre for Contemporary Art, Lagos

Clay as Terracotta Sculpture: A Provocative and Divergent Contemporary Conceptual Approach

One Idea, Six Movements: Ozioma Onuzulike’s Suyascape Series

Taxoo Lee: Re-born Connecting the Present With the Trivial Things of the Past

Sandcastles in the Sky: An Adventure With Ceramic Maker Anna Barlow

Theaster Gates Black Vessel at Gagosian Chelsea, New York, Oct 10-Dec 19, 2020

Phil Rogers Eulogy

Phil Rogers Obituary

An International Wood-Firing Exchange

The Craft and Customs of the Li Potters of Hainan

The Forgotten One: Furnace Transmutation

Silent Defiance: Ceramic Sculpture by Paul Metivier

The light still Shines Bright

Special Antique English Ceramics Exhibition Displayed at Community Archives, Upson County Georgia, US

Daniel Johnston: A Portrait of the Artist as a Potter in North Carolina by Henry Glassie

Joe Pintz: The Old Way

Hare's Fur by Trevor Shearston

Inspired to Write

Multiple Modernisms A Perspective of Contemporary Asian Globalism

Deep Ornament: Eliza Au and the Pursuit of Serenity

Q&A: Clay Body Absorption

Potter’s Reduction Diagrams

Cobalt on Trial

Protoclay: A Potter’s Inquiry into Fired Granite

Decorating Pottery and Sculpture Without a Glaze