Ceramics: Art and Perception aims to set the international standard as a high quality journal dedicated to ceramic art. With a total of 120 pages, it contains approximately 25 substantial reviews, articles and regular features on a broad range of ceramics related subjects with excellent colour photographs throughout.
Ceramics: Art & Perception
Seeking Sustainability
Heidi Bjørgan
Roberta Griffith: Street Stuff
Contemporary Exploration of Ceramics in Nigeria: Ngozi Omeje’s Connecting Deep Exhibition at the Centre for Contemporary Art, Lagos
Clay as Terracotta Sculpture: A Provocative and Divergent Contemporary Conceptual Approach
One Idea, Six Movements: Ozioma Onuzulike’s Suyascape Series
Taxoo Lee: Re-born Connecting the Present With the Trivial Things of the Past
Sandcastles in the Sky: An Adventure With Ceramic Maker Anna Barlow
Theaster Gates Black Vessel at Gagosian Chelsea, New York, Oct 10-Dec 19, 2020
Phil Rogers Eulogy
Phil Rogers Obituary
An International Wood-Firing Exchange
The Craft and Customs of the Li Potters of Hainan
The Forgotten One: Furnace Transmutation
Silent Defiance: Ceramic Sculpture by Paul Metivier
The light still Shines Bright
Special Antique English Ceramics Exhibition Displayed at Community Archives, Upson County Georgia, US
Daniel Johnston: A Portrait of the Artist as a Potter in North Carolina by Henry Glassie
Joe Pintz: The Old Way
Hare's Fur by Trevor Shearston
Inspired to Write
Multiple Modernisms A Perspective of Contemporary Asian Globalism
Deep Ornament: Eliza Au and the Pursuit of Serenity
Q&A: Clay Body Absorption
Potter’s Reduction Diagrams
Cobalt on Trial
Protoclay: A Potter’s Inquiry into Fired Granite
Decorating Pottery and Sculpture Without a Glaze